Astudiaethau Achos: Cerddoriaeth

Mary Richards (Darowen) a chasglu alawon traddodiadol Cymru (Safbwynt Myfyriwr)

(English) I loved working with the company because it drew upon my love and expertise of the history of Welsh music. It was nice to have different perspective of my work outside of the world of academia, which at times was refreshing.

In the work place I gained extensive experience of using software that was beneficial for my PhD and the work with the company, it developed my musical and technical skills and that helped with what I was doing day to day with the PhD, and with the company’s publications in the long term. I was also given the opportunity to use new and different software on digitising tonic sol-fa into modern notation which was beneficial for the company as well. When typesetting the music I could put the tonic sol-fa line in, a considerable number of males voice choirs wanted the tonic sol-fa and instead of sending work out, it could be done internally.

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Y clarinet a cherddoriaeth siambr gyfroes yr 20G a’r 21G (Safbwynt Myfyriwr)

(English) What an experience…
During November 2012 I was given the opportunity to join the Dweezil Zappa plays Zappa band on their UK tour. A series of events led up to this opportunity. During ZPZ’s 2011 tour, I was lucky enough to briefly chat with Dweezil – I had questions to ask him about his father’s Clarinet Concerto – Mo N Herb’s Vacation. This resulted in me posting various audio files of my clarinet playing onto Dweezil’s website. These files were clips from the DVD and tracks from the CD I submitted as part of my research. Months passed, and out of the blue I received a message from Dweezil asking whether I would like to join the band onstage to play one of Frank Zappa’s songs on a couple of dates during their UK tour!

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Mary Richards (Darowen) a chasglu alawon traddodiadol Cymru (Safbwynt Academaidd)

(English) The project provided the opportunity to reveal music from the past with great benefits for present day Welsh culture and music, highlighting aspects of Welsh music that has never been seen, heard or performed before in Wales.

The collection of 88 folk songs from the 19th Century had been archived in the National Library in Aberystwyth. Through Leila’s KESS PhD project in conjunction with Curiad Music this collection was published for the first time.

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